Hollywood couple Diane Lane and Josh Brolin split after 8 years

(Reuters) - Hollywood couple Diane Lane and Josh Brolin are divorcing after more than eight years, their representatives said on Thursday.

"I can confirm Diane Lane and Josh Brolin have decided to end their marriage," said Lane's spokeswoman, Kelly Bush.

A source close to the couple termed the split as "amicable" and said it was a mutual decision.

The divorce will be the second for both Lane and Brolin. They have no children together.

Lane, 48, who was Oscar-nominated for her role in the 2002 film "Unfaithful," and Brolin, 45, married in August 2004 after being introduced by Barbra Streisand, the actor's stepmother through her marriage to James Brolin.

Josh Brolin played a lead role in last summer's sci-fi comedy franchise "Men in Black 3" and his most recent film appearance was the January release "Gangster Squad."

(Reporting By Noreen O'Donnell in New York; Editing by Jill Serjeant and Eric Walsh)

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Shia LaBeouf and Alec Baldwin "Incompatible"? Actor tweets about exit From "Orphans"

(Please note that this story contains strong language in paragraphs 10 and 21.)

LOS ANGELES (TheWrap.com) - Shia LaBeouf is taking a cue from his former co-star Alec Baldwin and using Twitter to defend his actions - in this case his split from "Orphans" on Broadway.

The show, which begins previews in less than a month, was to be the "Transformers" star's Great White Way debut. In a brief statement Wednesday, the actor's departure was attributed to those pesky "creative differences."

But LaBeouf, whose propensity to over-share has gotten him in trouble in the past, took to Twitter within hours of the announcement to post private emails from the show's director Daniel Sullivan and co-stars Baldwin and Tom Sturridge.

He also mused about the role of theater in society and posted his audition video for the show (he's twitchy, intense and, it must be said, pretty convincing as a criminal with a short fuse).

The correspondence does little to clarify the reasons for his abrupt exit, though his exchange with Sullivan hints at chemistry issues with Baldwin.

"I'm too old for disagreeable situations," Sullivan writes. "You're one hell of a great actor. Alec is who he is. You are who you are. You two are incompatible. I should have known it. This one will haunt me. You tried to warn me. You said you were a different breed. I didn't get it."

But an individual close to the production told TheWrap that the split had nothing to do with Baldwin; it was due to conflicts between the star and the show's producers, Frederick Zollo and Robert Cole.

Spokespeople for the production did not respond to requests for comment.

In his emails, LaBeouf also demonstrates a flair for the dramatic that New York theater critics will be denied an opportunity to see in the flesh.

"My dad was a drug dealer," LaBeouf writes. "He was a shit human. But he was a man. He taught me how to be a man. What I know of men Alec is."

"A man owns up," he adds. "That's why Mark McGuire is not a man."

If the message from Baldwin is to be believed, LaBeouf's former cast-mate wishes him well.

After LaBeouf apologizes for creating a "disagreeable situation," Baldwin assures him he doesn't have an "unkind word to say about you."

"I've been through this before," Baldwin writes. "It's been a while. And perhaps some of the particulars are different. But it comes down to the fact that what we all do now is critical. Perhaps especially for you. When the change comes, how do we handle it, whether it be good or bad? What do we learn?"

A spokesman for Baldwin declined to comment and a spokeswoman for LaBeouf did not respond to requests for comment.

Sturridge also is complimentary in his note to LaBeouf.

"I was stunned by the work you were doing, the performance you were giving," he writes."I think you lifted the play to a place higher than maybe it even deserved to be."

This is not the first time that LaBeouf has gotten in trouble for running his mouth off in public. In the past he irritated Steven Spielberg by speaking ill of their collaboration on "Indiana Jones and the Kingdom of the Crystal Skull"; said Oliver Stone played too nice when they teamed up on "Wall Street 2: Money Never Sleeps," and once revealed that he hooked up with "Transformers" co-star Megan Fox when she was on a break from her husband Brian Austin Green.

His frank talk and propensity to criticize former collaborators has inspired at least one high-profile rebuke.

Harrison Ford told Details Magazine that he was displeased by his co-stars comments about the Indiana Jones sequel.

"I think I told him he was a f---ing idiot," Ford said. "As an actor, I think it's my obligation to support the film without making a complete ass of myself."

On Wednesday and Thursday, LaBeouf also took the opportunity to share some colorful thoughts about acting, as well as some historical lessons of questionable veracity.

"Actors used to be buried with a stake through the heart," he tweeted. "Those peoples performances so troubled on-lookers that they feared their ghosts."

Oh, and based on his messages with Rick Sordelet, the show's fight director and a faculty member at Yale University's drama school, an MFA may be in LaBeouf's future...possibly one from a certain New Haven-based institute of higher learning.

In a message, Sordelet hails LaBeouf's work ethic and says he has been in touch with the head of the school's acting program about having him matriculate.

"It must have been difficult for others in the room to be schooled by someone who's raw talent and enthusiasm out matched theirs," Sordelet writes.

Sounds like somebody might be passing James Franco on the quad some day soon.

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Jay-Z, Timberlake announce summer tour

NEW YORK (Reuters) - Rapper Jay-Z and Justin Timberlake are teaming up for a 12-city summer stadium tour that will include concerts in New York, Los Angeles, San Francisco and Chicago, music promoter Live Nation said on Friday.

The "Legends of the Summer" tour will kick off at the Roger's Center in Toronto on July 17, and finish on August 16 at the Sun Life Stadium in Miami.

Venues in Boston, Detroit and Baltimore will also be included in the tour.

Earlier this week Live Nation said the duo, who together have won 23 Grammy awards and two Emmys and have sold 67 million albums, will also be performing together in London at the Wireless Festival on July 12-13.

Timberlake's new album, "The 20/20 Experience," which will be released next month, features "Suit & Tie," a collaboration with Jay-Z. The two performed a duet together at the Grammy Awards earlier this month.

(Reporting by Noreen O'Donnell; Editing by Patricia Reaney and Vicki Allen)

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Lindsay Lohan Chewed to Pieces in Pitbull Lawsuit

LOS ANGELES (TheWrap.com) - As it turns out, Lindsay Lohan doesn't have much luck as a plaintiff in legal proceedings either.

Troubled "Liz & Dick" actress Lohan, who has experienced more than her share of legal woes in recent years, was shot down Thursday in her lawsuit against Pitbull, Ne-Yo and Afrojack over the 2011 song "Give Me Everything."

Lohan had sued the trio, along with others, under New York Civil Rights Law, claiming that the song made "disparaging and defamatory statements" about Lohan, violated her privacy, and used her name for advertising purposes without authorization.

Oh, and she also claimed that the tune caused her "tremendous emotional distress."

Specifically, Lohan took issue with the lyrics, "So, I'm tiptoein', to keep flowin'/I got it locked up like Lindsay Lohan."

However, Lohan's claims went down in flames in U.S. District Court in New York on Thursday, as Judge Denis R. Hurley granted the defendants' motion to dismiss and tossed out Lohan's complaint.

In his ruling, Hurley found that the song, as a protected work of art under the First Amendment, doesn't violate the New York Civil Rights Law.

The judge also dismissed Lohan's claim that the songwriters used her name for advertising or purposes or trade.

"Even if the Court were to conclude that plaintiff had sufficiently alleged that her name was used in the Song for purposes of advertising or trade, the isolated nature of the use of her name would, in and of itself, prove fatal to her New York Civil Rights Law claim," Hurley found.

As for the claim of emotional distress? Yeah, that didn't fly either, with Hurley ruling, "even if the defendants used plaintiff's name in one line of the Song without her consent, such conduct is insufficient to meet the threshold for extreme and outrageous conduct necessary to sustain a claim for intentional infliction of emotional distress."

On the plus side for Lohan, the judge decided not to impose sanctions on the actress, as the defendants had requested.

In her complaint, Lohan asked for a permanent injunction preventing any further distribution of the song, plus an injunction ordering the defendants to surrender all existing copies of the song to Lohan.

Naturally, she was also asking for an accounting of the profits that the song had generated for the defendants to date, and "compensatory damages in an amount to be determined in the Court."

Looks like she's the one who hit a bum note, as far as the justice system is concerned.

(Pamela Chelin contributed to this report)

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Britain's first Oscar-winning animator Bob Godfrey dies at 91

LONDON (Reuters) - Britain's first Oscar-winning animator Bob Godfrey, whose work ranged from the children's TV cartoon "Roobarb" to mock-erotic movies like "Kama Sutra Rides Again", has died aged 91, his family told the BBC on Friday.

Godfrey, often referred to as "The Godfather of British Animation", was born in Australia but educated in England and started his career as a graphic artist in London in the 1930s before gaining work in the film industry.

He was the first British animator to win an Academy Award for Best Animated Short Film for his 1975 musical comedy "Great", about civil engineer Isambard Kingdom Brunel.

Godfrey was nominated three other times for Oscars, including for his 1971 short film "Kama Sutra Rides Again", one of his mock-erotic exploitation films that focused on the hypocrisy of British attitudes towards sex.

Filmmaker Stanley Kubrick so admired the film that he screened it alongside UK showings of "A Clockwork Orange".

"Much of Godfrey's work has been predicated on satirizing the foibles and minutiae of what it means to be 'British'," said his biography on the British Film Institute website.

For nearly 50 years Godfrey worked with some of animation's biggest names including Monty Python's Terry Gilliam, poking fun at orthodoxy and establishment thinking. He retired in 1999.

His work ran along two tracks - adult material and quirky children's cartoons which he wanted to appeal to adults too.

He was known for his children's cartoons "Roobarb", about a warring cat and dog, and "Henry's Cat".

His death comes after the death on Sunday of veteran actor Richard Briers, aged 79, who narrated "Roobarb" and also the character of Brunel in Godfrey's film "Great".

Aardman Animations studio founder Peter Lord tweeted: "Dear old Bob Godfrey is no more. A great influence and inspiration to me and my generation of animators. Also a lovely bloke."

In an interview with the Guardian in 2001, Godfrey said he had one professional regret.

"I'd love to have done a full-length feature but I can't seem to stretch myself to that length," he told the newspaper.

"When you look at my films, they appear to be a series of 30-second commercials cut together. I'm a short distance man whether I like it or not."

(Reporting by Belinda Goldsmith; editing by Andrew Roche)

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Madonna crowned top music earner in 2012 due to world tour

(Reuters) - Madonna was named the biggest money maker in music in 2012 on Friday, with a world tour helping her take home up to $34.6 million and highlighting the earning power of live performances as the industry increasingly goes digital.

The 54-year-old Material Girl topped Billboard Magazine's annual list of 40 top money makers for the second time after earning an estimated $32 million - 93.5 percent of her revenue - from her 88-date "MDNA" tour, 2012's biggest tour.

Madonna, who also led the list in 2008 due to tour income, was the only woman in the top 10 with last year's winner, Taylor Swift, who fell to 15th place as she did not tour in 2012.

In second place in the music magazine's list was Bruce Springsteen whose $33.4 million revenue was also primarily driven by touring, playing to sold-out stadiums and arenas.

Springsteen, who also released a No. 1 album, "Wrecking Ball," last year, earned 92 percent of his revenue from live shows where strong merchandise sales also boosted takings.

Roger Waters, founder of Pink Floyd, came a distant third with earnings of $21 million largely from "The Wall Live" tour and Van Halen was fourth with $20 million after touring in support of their album "A Different Kind of Truth".

"When it comes to making the biggest score, the most money always comes from high-paying live performances," Billboard's editorial analyst Glenn Peoples wrote in explaining the list.

"Ironically, the most popular touring artists are usually well past their peaks on the album sales charts."

Country music veteran Kenny Chesney, the Dave Matthews Band, country's Tim McGraw and Jason Aldean, and British band Coldplay came next on the list.

Canadian teen sensation Justin Bieber was 10th, earning almost $16 million of which about $10 million came from his sold-out "Believe" arena tour.

"The entire top 10 averaged 84.2 percent of their income from concerts, and the number would have been higher, if not for Justin Bieber's mere 60.1 percent share at No. 10 dragging down the average," said Billboard.

However touring was not vital for every act on the list such as Swift and Britain's Adele.

Swift earned $12.7 million after selling the most digital tracks in 2012. She sold more than 3 million digital albums and 15.6 million digital tracks driven by her hit "We Are Never Ever Getting Back Together".

Adele took the year out after having a baby but still earned nearly $14 million, putting her 11th in the rankings, due to continuing strong physical and digital sales for her album "21".

Maroon 5, ranked 33rd in the list, took the highest share of streaming revenue which made 3.5 percent of its $7.2 million.

Billboard said streaming music online to paying customers has not caught on with older generations and was small in percentage terms but growing.

"Yet even in the coming years, as streaming services become a more important revenue source, possibly replacing digital downloads and CD sales, one thing is unlikely to change: concerts will have the greatest influence of top earners' overall earnings," said Peoples.

The list was compiled by Billboard editors using data for Boxscore archives of U.S. concert gross figures, Nielsen SoundScan data for sales, YouTube, and Nielsen BDS data.

The full list can be seen at http://billboard.com/moneymakers

(Reporting by Elaine Lies, Editing by Belinda Goldsmith)

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Actress Megan Fox to star in new "Ninja Turtles" film

NEW YORK (Reuters) - Actress Megan Fox has been cast in the new "Teenage Mutant Ninja Turtles" movie, according to filmmaker Michael Bay, who directed the actress in two Transformers films.

The two appear to have resolved their differences after Fox compared Bay to Hitler in a magazine interview. The actress was replaced by British model and actress Rosie Huntington-Whiteley in the third Transformer film after making the comment.

"TMNT: we are bringing Megan Fox back into the family!" Bay wrote on his website.

Fox's agent confirmed that the 26-year-old new mother would play April O'Neil, the crime-fighting turtles' human friend.

In an interview with the British magazine "Wonderland" in 2009 Fox described Bay as nightmare to work with.

"He wants to be like Hitler on his sets, and he is," she said.

Bay responded in a 2011 GQ interview saying executive producer Steven Spielberg had advised him to fire Fox.

"Megan loves to get a response," he said. "And she does it in kind of the wrong way."

Bay has said that one of the original creators of the Ninja Turtles was helping to develop the script for the film that is due to be released in May 2014.

(Reporting by Noreen O'Donnell; editing by Patricia Reaney and Jackie Frank)

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The Staple Singers' Cleotha Staples dies at age 78

(Reuters) - Cleotha Staples, a founding member of the Rock and Roll Hall of Fame R&B and gospel group The Staple Singers, has died after a decade-long battle with Alzheimer's disease, the group said on Friday. She was 78.

Staples, who died on Thursday at her Chicago home, is best known for singing on the group's 1970s hits, including "I'll Take You There," "Respect Yourself" and "Let's Do It Again."

"We will keep on," Mavis Staples, the group's lead singer, said in a statement. "Yvonne and I will continue singing to keep our father's legacy and our sister's legacy alive."

Mavis, who is known for her raspy voice that gave the group its distinct personality, said she would dedicate her forthcoming album to Cleotha's memory.

The oldest of five children, Staples was born in Drew, Mississippi, to Roebuck "Pops" Staples and Oceola Staples. The family moved to Chicago when Staples was 2 years old in 1936, where sisters Mavis and Yvonne were born.

The Staple Singers, known as "God's greatest hitmakers," were formed in 1948 with Pops on guitar and siblings Mavis, Cleotha, Pervis and Yvonne singing.

The group first played churches in the Midwest and put out their first recording in 1953. Their gospel hits included "On My Way to Heaven," "With the Circle Be Unbroken" and "Pray On."

The family became active in the civil rights movement in 1962 after hearing Martin Luther King Jr. speak while the family was on tour. They are thought to be the first black group to cover Bob Dylan's song "Blowin' in the Wind" in 1963.

The Staples Singers were inducted into the Rock and Roll Hall of Fame in 1999 and were honored with a lifetime achievement Grammy in 2005.

Cleotha Staples is survived by her sisters Mavis and Yvonne and brother Pervis.

(Reporting by Eric Kelsey, editing by Jill Serjeant and Lisa Shumaker)

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Final "Twilight Saga" movie gets mauling from Razzies

LOS ANGELES (Reuters) - Popular vampire movie "The Twilight Saga: Breaking Dawn - Part 2" was savaged at the Razzie Awards on Saturday, earning seven "wins" in the annual contest for the worst movies and performances of the year.

"Twilight" star Kristen Stewart, co-star Taylor Lautner and director Bill Condon were awarded Golden Raspberry statuettes for their parts in the final installment of the blockbuster film franchise. That film alone has taken an impressive $829 million at the global box office.

Robert Pattinson narrowly escaped a personal mauling, but the entire "Twilight Saga" cast earned a Razzie for "worst screen ensemble."

The Razzies, created in 1980 as an antidote to the backslapping of Hollywood's glitzy awards season, also singled out R&B star Rihanna for scorn.

The singer was deemed worst supporting actress for her debut movie role as a sailor in 2012 sci-fi action movie "Battleship."

American comic actor Adam Sandler, a frequent Razzie target, was awarded not-so-coveted golden raspberry statuettes for worst actor and worst screenplay for his comedy "That's My Boy" about a father reuniting with his long-abandoned son.

Last year, Sandler swept all 10 Razzie categories for his comedy "Jack and Jill," in which he played both the male and female leads.

The winners rarely turn up to the Razzie ceremony, which was held on Saturday night in a Hollywood hotel near the Dolby Theatre, where the 85th annual Academy Awards will be handed out on Sunday.

The nominees and winners of the Razzies were chosen by more than 650 members of the Golden Raspberry Foundations and 70,000 votes cast on movie review website Rotten Tomatoes.

(Reporting By Jill Serjeant; Editing by Eric Walsh)

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Bela Tarr swaps film making for running unique school

SARAJEVO (Reuters) - Revered Hungarian director Bela Tarr's famously uncompromising approach to cinema will now be passed to future generations as he begins a new course for budding filmmakers in Sarajevo.

The 57-year-old retired from directing after the release in 2011 of "The Turin Horse", a bleak, black-and-white portrayal of a peasant and his daughter abandoned by man and God in their remote, windswept cottage.

Its long takes and sparse dialogue and narrative were trademarks of Tarr, who won over critics around the world and is perhaps most famous for his seven-hour epic "Satantango" based on a novel by compatriot Laszlo Krasznahorkai.

It will come as little surprise to hear Tarr speak not of commercial success in cinema, but artistic integrity at a time when independent filmmakers are struggling to raise money to make movies that have limited box office potential.

"Film is different - you cannot teach, you can do only one thing which is to develop young filmmakers -- give them freedom, tell them they can be brave, they can be themselves, do what they really want," Tarr said in an interview.

Last week classes began at his newly launched Film Factory at the Sarajevo University School for Science and Technology, offering a three-year programme which Tarr and his associates said would adopt a fresh approach to filmmaking.

"It started when I decided not to make any more movies," Tarr said of his idea to launch an international PhD-level film programme for mature directors.

"I had the feeling this was the next step in my life because I want to share what I know, and I want to protect young filmmakers, give them the protection to be free," he told Reuters in his offices in the Bosnian capital.

ART BACK INTO FILM

Accommodated in a building located in the old part of Sarajevo, his Film Factory is now home to 17 students who have come from as far as Japan and Mexico to explore the secrets of filmmaking.

"It's a unique attempt to really work artistically in film, and to bring film to the level of art again," said Fred Kelemen, a German cinematographer and director who runs a camera workshop at the school.

"I think it's very important because it's something that many film schools around the world do not do any more," he added before mentoring students in capturing light against a dark backdrop on camera.

Kelemen has worked with Tarr on several films, and has been branded by critics as the "maestro of black and white silence".

The programme includes a theoretical section based on analyzing films as well as practical workshops which will be run by independent cinema stars including Aki Kaurismaki, Gus Van Sant, Jim Jarmusch and Tilda Swinton.

Students are expected to produce four films over the first two years and a feature in the final year.

"It looks like a menu," Tarr said of his programme. "In the end you have to cook your own food. The third part, when they are making their own movies, is where the real cooking is done, and that is my responsibility."

Most students said they applied for the school because of its unconventional approach to film and its roster of prominent figures from the film industry.

"After 110 years of cinema we are at the point where everything is undone," said Keja Ho Kramer from France, who has worked in the film business for the past 12 years.

"So to have an opportunity to rethink where the future is with all these amazing people is what interests me most."

Tarr is confident the course will achieve its goal of promoting freedom of art and expression, and produce some "good, strong movies.

"We are here, we have cameras, we have lights, we have fantasy, they have time, they are young, full of energy, full of hope - I do not see a problem. We just have to work, work, work, work."

(Reporting by Daria Sito-Sucic; Editing by Mike Collett-White and Paul Casciato)

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